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the hanasakura
the orthogonal black lines and fields of primary color are calibrated to the millimeter
Here Hiroshige depicts the type of constant and oblique precipitation
in cui l’artista disegna direttamente sulla pietra o sulla lastra
and bold framing influenced by Japanese prints
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 14, 1834 vasi the hanasakuraA splendid impression with good contrasts, attributable to the Eirakuya Tshir edition (mid 19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Selected Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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